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Creative Strategies

This image, Silver Eerie, by Maya Lin, is an example of an artist using de-contextualization as a creative strategy, in this case, removing recognizable geographical context to highlight pure form.

Maya Lin (American, born 1959), Silver Erie. Recycled silver, 2012. 

“In an age of digital navigation apps such as Google Maps, we often take for granted our ability to see the features of the Earth from a height of miles and to map our environment with the swipe of a finger on a screen.  

For Silver Erie, Ohio native Maya Lin plotted the contours of Lake Erie and the Maumee River and then had them cast in reclaimed silver. By removing the lake and river from their geographical context, she turned them into a shimmering abstract shape that allows us to view nuances we are not able to see when viewing the bodies of water in reality.” [1]

What are creative strategies?

Creative strategies are multiple approaches that artists use to propel their artwork in new directions. The focus is not on technique or skill per se, but on innovative or surprising ways to explore ideas and imagery.

These approaches are often playful, sometimes deliberate (as in borrowing intentionally from another artist's practice) and sometimes accidental (a broken ceramic vessel leads to exploring fragmentation). 

The new guide asks students to engage not only with a variety of art-making forms but also with a variety of (at least two) creative strategies in The Inquiry Portfolio . 

Professor Julia Marshall [2] has identified six broad categories of creative strategies used by art educators across the world, and featured in the new visual arts guide. This is by no means an exhaustive list, but it shows some of the many ways to stimulate creative exploration. 

 Transformative strategies
•Combinatory strategies
•Juxtaposition strategies
•Extension strategies
•Distillation strategies
•Associative strategies

New Creative Strategies graphic poster available to download here

Teaching through creative strategies

We have linked each of these six strategies to art-making and looking activities from our art seed bank with Inquiry Questions to stimulate critical thinking. 

Transformative Strategies

including
Scale Change: Make an object or image larger or smaller or change your point of view. The Seed: Under your Feet  explores a detailed zoomed in view.


Re-interpreting a known artwork in a different medium or style: such as Seed: Modern Miniatures. Try reinterpreting your self with Seed: Self-Transformation  


Unusual Materials: Constructing out of surprising materials. Try the magical  Seed: Disappearing Act  or use Seed: Found Frottage  technique to create unusual imagery.

The effects of time or natural forces on an artwork is also a transformative strategy: explore Seed: Deterioration and Transformation  

Juxtaposition Strategies 

including
De-contextualization: Changing context of an object/image, removing recognizable context as in the Maya Lin image at the top. Explore the uncanny in Seed: Abstract Body  


Collage: Juxtaposing imagery to develop/reveal a concept that unites them: Discover the many sides of Collage! and try out this Seed: Cross Cultural collage  


Assemblage: Juxtaposing objects to develop/reveal a concept that unites them. Seed: 23 of Me, combine with guided looking at the assemblage artist Betye Saar.


Layering: Juxtaposing meanings through layering ideas or images —explore a digital photography project in Seed:Time Machine Photo  or more simply in this Seed: Overlapping Drawings  

 
Appropriation: Using an existing image or style to play upon meaning: understand what is Artistic Appropriation then follow with Seed: Modern Miniatures  


Reformatting or mimicking: Try using a format or methods from a non-art discipline, such as these artists who work between art/science do : Seed: Scientific Experiment and Seed: Photosynthesis?  

Contradictions- exploring meaning through opposites and juxtaposition with Seed: Photographing Contradictions  or Seed: What is Beautiful?  
 

Combinatory Strategies

including
Hybridization: Combining elements of multiple things: introduce the concept of The Ready Made and create a precarious hybrid sculpture Seed: On the Edge  or create with light and shadow Seed: Shadow Assemblage  

Collage is also a combinatory strategy as in Seed: Cross Cultural collage  Explore hybrid emerging media with New Video Art Visions  

Extension Strategies

including
Projection: Taking things/ideas to logical or absurd conclusions, maybe even fictional or fantastic: try a forensic approach to story telling in Seed: Public and Private Selves  


Amplifying/magnifying: Exaggerating a phenomenon; making it larger than life: Seed: Creepy Ink Drawing, exaggerate it and make it on a huge scale.


Elaboration: Adding detail, spinning further meaning, enriching…with the complex Seed: Patchwork Panoramic  or a drawing activity Seed: Real vs Reproduced  that elaborates different approaches to representation. 

Distillation Strategies

including
Metonymy: substituting a part to stand for the whole or representing a concept with an image or object rather than a direct comparison as in metaphor. Explore with Seed: Memorial  or Seed: Portrait with Clothing to represent the person and distill it to one article of clothing.


Mapping: Organizing ideas and things/imagery graphically. Seed: Multiples of One explores the organizing principle, and for a different kind of mapping Seed: Mapping your hand or Seed: Psycho-geographies  

Associative Strategies

including
Visual Analogy: a one on one comparison, The video artist Bill Viola makes fascinating analogies between ancient and modern technologies and imagery in his Bill Viola, Electronic Renaissance 


Metaphor: Casting one thing as another, using visual symbols. The activity Seed: Design a Shrine  could incorporate metaphor, as could Seed: Spirit Animal Print  

 
Metaphor of materials: Constructing an object or image out of materials that have meaning in themselves. Look at Marc Quinn's Blood Head and brainstorm your own Mad Materials 

I hope you enjoy the linked activities and remember that students don't have to use all of these strategies. They are a fun way to learn to think more conceptually and maybe stumble upon new solutions. You may discover other strategies on your own, in fact, you probably use different creative strategies all the time!

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Footnotes

1. -Toledo Art Museum, https://toledomuseum.org/collection/art-minute/art-minute-maya-lin-silver-erie 

2. Julia Marshall, Professor of Art Education, San Francisco State University


Tags: Transformative strategies, Combinatory strategies, Juxtaposition strategies, Extension strategies, Distillation strategies, Associative strategies

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