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New Course (First Exams 2027)

Welcome to the new Visual Arts course

Marble sculpture, 14th century Italy, author unknown, Pinacoteca Nazionale Siena, photo credit by author

Here you will find an overview of the new syllabus content and a summary of the learning objectives that form the pedagogical basis of the course. Despite some significant changes, there are many similarities with the previous curriculum in terms of how the course is taught, and for most teachers the transition should be relatively easy.

Teachers provide foundational skills, with structures and scaffolding for students to learn during the first part of the course, and they continue to provide guidance throughout, but students are expected to be even more actively engaged in their own learning. Self-directed art making led by inquiry claims its place at the heart of the course.

The syllabus features art making as inquiry

What does this mean? Art making as inquiry is a hybrid approach taken from contemporary art practices which combines both scholarship and studio practice.[1]

Scholarship means engaging in research, critical thinking, contextualization, art language, critique and reflection.

Studio practice is the making of art through exploration, interpretation, imagination, elaboration and transformation of materials and ideas.

Inquiry based learning across all IB subjects encourages independent approaches to learning. Art in particular favors a form of inquiry that is playful, inventive and follows nonlinear paths of discovery. Find out more about Lines of Inquiry here  

3 Core Areas of Syllabus

These 3 core learning and teaching areas are not presented individually but weave through all the course objectives and assessment tasks.

Create
Students make art using a variety of forms, techniques and creative strategies. They learn how to develop their ideas using research, observation, experimentation, and confrontation with other artists, and they begin to find their own visual language of expression.

Connect

Students investigate artworks and look at relationships between these works and with their own practice. They learn to place themselves within a larger context of art and culture.

Communicate

Students learn how to present their work both visually and in writing and curate the digital documentation of their work for an audience. Class critiques that encourage dialog and communication among peers help students to clarify intentions and meaningfully shape artwork.

Key Learning Objectives

In the visual arts course, there are  7 Assessment Objectives embedded within the curriculum. Some of these will be familiar to you already and others are new; they are present to different degrees across the various assessment tasks. We will be delving into what each of these objectives means and how they might look in practice in the coming months. 

  • Curate
  • Investigate
  • Generate
  • Situate
  • Refine
  • Resolve
  • Synthesize

Positive Points

We think these approaches to learning will make this course satisfying for teachers and empowering for students.

  • Self-directed art making led by inquiry is at the center of the course
  • A holistic approach to teaching in which the assessment tasks are not the syllabus
  • Clearly differentiated assessment tasks with reduced number of criteria
  • Explicit differentiation between HL and SL
  • Reduced requirements for written evidence with greater value on visual evidence
  • Renewed focus on how artwork is situated within context
  • Emphasis on digital curation of work, no exhibition requirement

Timeline for curriculum changeover

The new course began teaching in September 2025 with first exams in 2027. The old (current) course will have it's last assessment in November 2026.

We continue to roll out new material each month with a focus on student facing pages and activities. The new student gallery will take shape in 2027.  We need to have real student examples to feature in the gallery and we are looking to you to provide us with those as you have for the previous gallery. 

The material pertaining to the (old) curriculum on this site will remain until Nov 2026.

The course components (assessed tasks)

 At the end of this course, students provide evidence of how they learned to create, connect and communicate, which is assessed by way of 3 required assessment tasks differentiated for HL and SL.

 

Course Requirements HL and SL

Although the new course has distinct tasks for summative assessment, it is important to remember that the assessment tasks are not the syllabus, they are a way of concretely measuring the learning that...

Find out more about each of the component tasks on these pages.

 

The Inquiry Portfolio

In the previous curriculum we had the Process Portfolio and we now have the Art Making Inquiry Portfolio, let’s just call it the Portfolio. The Portfolio consists of a selection of curated visual and...

 

The Artist Project HL

An externally assessed task weighted as 30%, The Artist Project (AP) asks HL students to envision an artwork that they can situate, create, and present with consideration of multiple (at least two) artistic...

 

The Connections Study SL

Weighted at 20%, the externally assessed task, the Connections Study (CS), asks SL students to select one of their resolved artworks to situate, investigate and connect to (at least two) artworks by two...

 

Resolved Artworks (Internal Assessment)

This page provides a summary of the Internal Assessment task, which is assessed by teachers and moderated by an external examiner. For the IA component of the course, which comprises 40% of the final...

Individual rubrics for each task can be found in the pages under Assessment (first exams 2027)

Footnotes

1. https://www.artasinquiry.art/about1-c1x1t 

Selected Pages


Tags: new curriculum, new guide, 2025, syllabus

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