Why | How | What of curriculum design
Friday 14 June 2019
What informs curriculum design in your school?
Any of the following questions could act as provocations for staffroom discussion:
- What is the curriculum? At a basic level is a course of study, but surely curriculum is more than content. Scotland's Curriculum for Excellence states that the curriculum is "the totality of all that is planned for children and young people."
- Every school has a curriculum, but what research and evaluation has gone into the creation of that curriculum?
- Whose curriculum is it? Should the curriculum meet the students' needs and interests, or is it about introducing the various areas of knowledge to help people access society's conversation? Alternatively, to what extent is the curriculum political? Should there be a one-size-fits-all curriculum and if so where does student agency fit in?
- What does our curriculum aim to do? Do all stakeholders (staff | students | parents) have a consistent understanding of these aims and how they relate to practical curriculum delivery?
- How can the curriculum cover essential content without becoming overcrowded when the nature of that essential content changes as society changes?
- Where do decisions about content lie? Who decides what is 'core' and what can be 'electives'?
- To what extent do exams drive much of the work of a school? If so, should they? How do ensure that the curriculum does not only become the examination specification?
What we teach our students and in what order is a challenge for all schools and educational jurisdictions to face. But surely all key stakeholders have a right to know the why, how and what of curriculum design because the choices schools make are of huge importance and have consequences for every child. Each school should be able to clearly articulate and justify the statement: "THIS is what we believe that students should know, and be able to do, by the end of ..."
"Curriculum is a part of a great enterprise that sits at the heart of how humanity currently functions." (Wayne Hugo, School of education, University of KwaZula-Natal, South Africa)
"Learning refers to significant enhancements in knowledge, capabilities, values, attitudes or understanding (including, but going beyond, the acquisition of factual knowledge)." (Frank Coffield, Tes 31|1|2019)
Education is always about relationships, between teacher and content, content and student, and teacher and student. This is sometimes referred to as the didactic triangle. Education cannot exist without communication and relationships. The teacher is key."In just the same way as in training musicians or sports people a significant mentor is a necessary prerequisite." (Eyre, D. High performing learning 2016:26) "I learned to love learning because of Mrs. Duncan." (Oprah Winfrey)
Start with end in mind. It can be useful to metaphorically paint a picture of the ideal student you wish to graduate from your school and work back from there: cognitive learning (relating to ideas) | skill-based learning (relating to processes) | dispositional learning (a character type, a habituation to act in a specific way. Work out how you want pupils to be changed by the curriculum, and work your accountability measures back from there. What we know changes what we see. Keep an eye on the big picture for each child. "Too often schools start with big ideas such as 'creativity, critical thinking, or resilience' and then imagine that they've secured those things by plonking them all over the curriculum. This is curriculum as random sprinkling." (Christine Counsell). You have to be more deliberate in your choices than that. Each layer of knowledge needs to have a cumulative effect on what pupils can notice and do.
Establish a clear vision of what the curriculum is (Wayne Hugo provides an outline later in this page). Consider how you are going to frame the curriculum as (a) a series of subjects, or (b) a series of experiences you will immerse students in, or (c) processes, approaches and style, or (d) all and more. Putting each child at the heart consider the cross-curricular intentions you are trying to achieve. Know the aims and objectives of your curriculum | educational programme.
Design your framework: The curriculum should establish an inspiring framework for the teachers and students to act within. Educational goals and curriculum standards are important, but care needs to be taken that these standards to not develop into merely standardisation tools with their attendant standardised assessment guidelines and materials in order to ensure that pupils have reached the prescribed standards.
Keep a focus: strip away the irrelevant and focus on the important and relevant. Have a clearly articulated view of what success looks like. What evidence will you collect in order to review your curriculum offer and do you fully understand what "success" should look like?
Make it real:Subject matter is in the world - it is not what is in books. Curricula should encourage and provide opportunities for students to question and make sense of the world around them in all content areas. "The real world provides many entry points to any subject matter - different minds get engaged in different ways. Minds generate questions, and the questions become the curriculum. We (criticalexplorers.org) do not tell the students what we make of the materials we have them look at and study. They proceed as mathematicians, physicists, writers, historians do. We have them listen to each other, talk about what they make of these materials ..." (Eleanor Duckworth)
Put teachers at the centre of curriculum planning - this provides excellent professional development. By collaboratively sharing expertise and discussing principles behind curricula and assessments teachers are empowered to prioritise learning of every individual. Additionally, such collaborative activity ensures there is a shared vision.
With these principles in mind we will try and explore three questions:
- The WHY? Why do we teach what we teach?
- The HOW? Which pedagogies should inform our practice as teachers?
- The WHAT? How do you choose what to teach?
Links: Getting the curriculum right | Cambridge | Designing your own curriculum
Why do you teach what you teach?
What are your big over-arching ideas for the curriculum and how do these affect your choice of subject matter? These questions should be asked both of the school as a whole and of each subject area.You need to know your why: why teach this and not that? Your answer to this basic question will frame how you construct your timetable, allocate your resources and prioritise.
What is the 'end product' of the curriculum? Is it to prepare children to make a product contribution to society in which they live, or to form children's minds with the best of past cultural attainments, or is it to develop the individual potentials of each child as fully as possible?
"Any good curriculum must teach pupils about the nature, origin and renewal of knowledge. That means teaching both substantive knowledge - facts, conventions and skills that must be learnt to fluency; and disciplinary knowledge - how new knowledge is built by academics or artists through enquiry, debate and creativity." (Christine Counsell, Tes 17|5|2019).
"We need specialists who spend time working out what the baseline requirements are for an increasingly complex world. These specialists don't have it easy. Jobs change, people change, societies change, and people live and love as well as work, so the baseline must allow youngsters to have a platform from which they can step off in different directions. A general platform would provide the ability to read with meaning to enable access to the vast library of collected knowledge. It would introduce a bsic understanding of the language of the universe (mathematics). It would introduce how the universe and life works (science); how our physical earth works (geography); how we have struggled to become who we are (history); how society works (social science); how we experience existence (the arts); how we should live (civics); how to use our basic tools (technics); and how to look after ourselves (physical education) and our family (home economics). (Wayne Hugo, University of KwaZulu-Natal, South Africa, Tes 17|5|1029)
Each learner needs to understand the purpose of what they are learning. As Halbert and Kaser note, "there is a big difference between learners knowing what they are supposed to be doing and knowing why what they are learning is important." This is not a formulaic thing, such as posting learning intentions | objectives on the whiteboard. "Our experience is that learners are only able to answer this question when they are helped to find personal meaning in what they are learning. Without a clear sense of purpose, many learners become disengaged and lose their sense of curiosity even as they continue to jump through the hoops of schooling." In the context of each academic subjects teachers should scaffold the big ideas that drive their subject and convey them as learning intentions to students. One group of history teachers identified the following six big concepts and sixthematic critical questions that learners need to grapple with in depth if they are to develop historical consciousness:
Significance: How do we decide what and whose stories do we tell?
Evidence: How do we know what we know?
Consequence: What are the causes that are hidden from view?
Change: What is the same and what is different? Is history just about change?
Perspectives: Is the past a foreign country?
Ethics: What do historical injustices and sacrifices mean for us today?
(Spirals of Inquiry, Judy Halbert & Linda Kaser, 2013)
How should we teach? What pedagogies should inform our practice as teachers?
"Stipulating the knowledge content of the curriculum is not enough. You also need an equivalent emphasis on the pedagogy of teachers, and the process through which students produce knowledge. If pedagogy is forgotten, any curriculum can lead to memorisation rather than understanding." (Professor Michael Young, UCL, Tes 17|5|2019)
Two lines of inquiry should inform our answer to this question: (a) what do we know about specific pedagogies that make them effective? and (b) are there specific pedagogies for each academic discipline?
Effective pedagogies
What do we mean by effective? One way of speaking about effectiveness is to use the term 'mastery': how do we ensure that students secure deep understanding of concepts at the heart of each area of knowledge and fluency in applying them? Such pedagogies secure mastery, coherent connections and remembering, alongside rich experiences, engagement and authentic purposes with relevance to the world in which we live.
A literature review advanced the following 9 strong claims about the characteristics of highly successful pedagogies. These claims provide a good checklist to review subject specific pedagogies. Effective pedagogies:
- Give serious consideration to pupil voice.
- Depend on behaviour (what teachers do), knowledge and understanding (what teachers know) and beliefs (why teachers act as they do).
- Involve clear thinking about longer term learning outcomes as well as short-term goals.
- Build on pupils’ prior learning and experience.
- Involve scaffolding pupil learning.
- Involve a range of techniques, including whole-class and structured group work, guided learning and individual activity.
- Focus on developing higher order thinking and meta-cognition, and make good use of dialogue and questioning in order to do so.
- Embed assessment for learning.
- Are inclusive and take the diverse needs of a range of learners, as well as matters of student equity, into account.
Subject pedagogies
Each academic discipline has its own signature pedagogy. Signature pedagogies refer to the approaches to teaching and learning which are most conducive to cultivating particular capabilities. Signature pedagogies may also be a helpful way of thinking about interdisciplinary teaching and learning. If students are helped to put on the hat of a mathematician | economist | historian | scientist etc they can ask how would a subject specialist think, perform and act with integrity if they were to approach a particular task | problem?
Learning mastery: "Expertise development may be defined in layman's terms as not just covering the curriculum but developing the habits and behaviours assoociated with expertise in a given domain. For example, thinking and approaching tasks like a mathematician or a historian rather than just doing the maths or a history course....These are skills that signify growing expertise in the subject and students find it very enjoyable to be apprentices on the roasd to becoming experts rather than merely 'covering the curriculum'." (Eyre, D., High performance learning, 2016:33-34)
See: Signature pedagogies: Questions that should be at the heart of each subject
"All teachers face a pedagogic problem in enabling their pupils to transform the knowledge they bring to school by engaging with the subject knowledge within the curriculum. The transformation is not just a mechanical process of transmission but also a social one, and one that for some pupils will bring problems of identity that they will only overcome if the teacher has earned their trust."(Professor Michael Young, UCL, Tes 17|5|2019)
Have an overarching pedagogy across the school
An example of this is high performance learning. High performance learning provides a model for achieving high levels of academic performance for all students and all schools. It avoids labelling students as 'less able' or 'more able', but instead sees high academic performance as learnable and focuses on unleashing the learning ability we all possess and systematically developing it into an advanced form.
High performance learning is a curriculum-led approach. It takes what is known about how people reach advanced cognitive performance and translates it into a framework which teaches students how to develop greater intelligence. At the heart of the framework are the 20 Advanced Cognitive Performance characteristics - defining the ways of thinking a student needs to develop (e.g. meta-thinking | linking | analyzing | creating | realising) - and the 10 Values, Attitudes and Attributes - defining the ways of behaving that the learner needs to acquire (e.g. empathetic | agile | hardworking). It is encouraged that these two core sets of characteristics become so much a part of the way the school operates that they become the language of the school used by students as well as staff and parents. Both sets of characteristics are important for success.
"Academic success is not defined merely as the ability to pass the test. World class schools are not test-passing factories. They focus on a more creative rounded view of learning, emphasizing the rewards of deep understanding and mastery of the subject. They are developing learner capability and nurturing a love of learning and its challenges. This implies the development of autonomy and confidence in the learner as well as the motivation to succeed. They develop not only academic competence but also the values, attitudes and attributes that will serve them well in university, the workplace and their life." (Eyre, D. High performance learning, 2016:7)
Click HERE to sign up for free resources that provide you with details of the framework, and HERE to buy a copy of the book explaining the framework.
What's worth teaching? How do you choose what to teach?
Are you teaching an academic subject (e.g. history) or developing the thinking skills of an expert (e.g. historian)? A good question to ask of a subject is: how does an artist, a scientist, a mathematician, a linguist or a geographer work? How do they construct knowledge and meaning? Which key concepts do they work with? What might be the difference between teaching a student about a subject and teaching a student to become an artist, a geographer etc.?
What is your (defensible) theory of knowledge? The IB provides a knowledge framework for each academic discipline | area of knowledge. It can be found in the TOK subject guide (2015). A knowledge framework is a way of unpacking the areas of knowledge and provides a vocabulary for comparing different academic disciplines. For each academic discipline the following can be examined:
- Scope, motivation and applications | What is the area of knowledge about? What practical problems can be solved through applying this knowledge? What makes this area of knowledge important? What are the current open questions in this area—important questions that are currently unanswered?
- Specific terminology and concepts | In physics key concepts include those of causation, energy and its conservation principle, field, charge and so on. In visual arts we might be concerned with the colour palette, texture, composition, movement, symbolism and technique. What are the roles of the key concepts and key terms that provide the building blocks for knowledge in this area?
- Methods used to produce knowledge | What are the methods or procedures used in this area and what is it about these methods that generates knowledge? What are the assumptions underlying these methods? What counts as a fact in this area of knowledge?
- Key historical developments | What is the significance of the key points in the historical development of this area of knowledge? How has the history of this area led to its current form?
- Interaction with personal knowledge | Why is this area significant to the individual? What is the nature of the contribution of individuals to this area? What are the implications of this area of knowledge for one’s own individual perspective? What assumptions underlie the individual’s own approach to this knowledge?
Have you checked your bias? We need to be aware that the choices we make about what pupils should learn can often be driven by ideological assumptions about a particular subject. For example, which periods or events are most important for students to grasp (history): how prominent contemporary concerns, such as environmentalism, should be in the curriculum (science), or which countries or concepts should be used as case studies and deemed worthy of study (geography). Whilst it may not be possible to always reach a consensus it is important that we can justify our choices.
"When designing a curriculum, we assign value to certain kinds of knowledge and implicitly dismiss other forms of knowledge as less important. Such crucial decisions need to be carefully justified and interrogated before they are implemented." (Megan Mansworth, Tes 24|5|2019)
7 Prompts That Every Teacher Of A Well-Designed Course Should Be Able To Answer
Here are some simple prompts that a teacher who has really thought through the course as a course should be able to answer:
- By the end of the year students should be able to…. and grasp that…
- The course builds toward…
- The recurring big ideas about which we will go into depth are…
- The following chapters and sequence support my goal of…
- Given my long-term priority goals, the assessments need to determine if students can…
- Given my goals, the following activities need to build insight and incentive…
- If I have been successful, students will be able to transfer their learning to… and avoid such common misconceptions and habits as…
Teachthought: Critically examining what you teach, Grant Wiggins, July 2019
New Zealand's Ministry of Education have produced a useful guide on how schools have gone about curriculum changes. Start HERE and explore the various pages on their website.
"If we are serious about asking classroom teachers and heads of department to engage more in theories of curriculum design, we need to truly invest in it. We need to give them expert training from with their subject communities and the time to act on it. (Mark Enser, Tes 24|5|2019)
"We have a mission to empower young people to take on the world. There are two underlying assumptions here: (1) schools should foster academic and personal growth; (2) freedom is a legitimate goal for education - when people act on the world and are not acted upon, they exercise freedom. When thinking about our curriculum, we wanted to make sure that it could fulfil the mission. We wanted a broad, big and expansive offer - a curriculum of the head, heart and hand." (Oli de Botton, headteacher School 21, London)
Tags: curriculum design, high performance learning, pedagogies
14 Aug 2019
5 Jun 2019